Toward a Minor Tech:Contributors: Difference between revisions
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'''Christian Ulrik Andersen''', Digital Aesthetics Research Center, Aarhus University, is attempting to bring the knowledge and practices of digital culture and art to the fore. | |||
''' | '''Geoff Cox''' is Professor of Art and Computational Culture at London South Bank University, and co-director of Centre for the Study of the Networked Image (CSNI), working across software studies and contemporary aesthetics. | ||
''' | '''Camille Crichlow''' is a PhD Researcher at the Sarah Parker Remond Centre for the Study of Racism and Racialisation (University College London). Her research interrogates how the historical and socio-cultural narrative of race manifests in contemporary algorithmic technologies. | ||
''' | '''Mateus Domingos''' is an artist and MRes researcher at CSNI, London South Bank University. | ||
''' | From a network of '''Feminist Servers''' the following authors contributed: '''mara karagianni''' - artist, software developer, sysadmin, '''ooooo''' - Transuniversal constellation, '''nate wessalowski''' - PhD student at Münster University, '''vo ezn''' - sound && infrastructure artist. | ||
''' | '''Teodora Sinziana Fartan''' is an artist and PhD researcher at CSNI, London South Bank University. | ||
''' | '''Susanne Förster''' is a PhD candidate and research associate at the University of Siegen. Her work deals with imaginaries and infrastructures of conversational artificial agents. | ||
'''Inte Gloerich''' (Utrecht University & Institute of Network Cultures) researches sociotechnical imaginaries around blockchain technology as they appear in for instance memes, startup culture, and art. | |||
''' | '''Daniel Chávez Heras''' is Lecturer in Digital Culture and Creative Computing at King's College London. He studies the computational production and analysis of visual culture. | ||
''' | '''Macon Holt''' is a a Post-Doctoral researcher at Copenhagen Business School. He is author of 'Pop Muisc and Hip Ennui. A Sonic Fiction of Capitalist Realism' (Bloomsbury, 2020). | ||
''' | '''Jung-Ah Kim''' is a PhD researcher in Screen Cultures and Curatorial Studies at Queen’s University. She studies the relationship between weaving and computing and traditional Korean textiles. | ||
''' | '''Edoardo Lomi''' is a PhD Fellow at Copenhagen Business School. His project focuses on the palliative care of digital infrastructures. | ||
''' | '''Inga Luchs''' is a PhD candidate at the University of Groningen. In her research, she deals with questions of data classification and discrimination from a cultural and technical perspective. | ||
''' | '''Gabriel Menotti''' is Associate Professor in Film & Media at Queen's University and an independent curator, and co-cordinates the Besides the Screen network. | ||
''' | '''Alasdair Milne''' is a PhD researcher with Serpentine Galleries’ Creative AI Lab and King’s College London. His work focuses on the collaborative systems that emerge around new technologies. | ||
'''Anna Mladentseva''' is a PhD researcher at University College London whose project focuses on the conservation of software-based works of art and design from the Victoria & Albert museum. | '''Anna Mladentseva''' is a PhD researcher at University College London whose project focuses on the conservation of software-based works of art and design from the Victoria & Albert museum. | ||
''' | '''Shusha Niederberger''' is a PhD researcher based at Zurich University of the Arts and working on user subject positions in datafied environments and aesthetic strategies of using otherwise. | ||
'''Søren Bro Pold''' Digital Aesthetics Research Center, Aarhus University, works with the arts of the interface and interface criticism. | |||
'''Roel Roscam Abbing''' is a PhD researcher in Interaction Design at Malmö University's School of Arts and Communication. There he studies alternative and federated social media systems. | |||
'''Winnie Soon''' is a Hong Kong-born artist coder and researcher, engaging with themes such as Free and Open Source Culture, Coding Otherwise, artistic/technical manuals and digital censorship. | |||
''' | '''Magdalena Tyżlik-Carver''' ferments data and investigates Critical Data and related practices through curating. She is Associate Professor in Digital Design and Information Studies at Aarhus University. | ||
'''Varia''' is a space for developing collective approaches to everyday technology. https://varia.zone | '''Varia''' is a space for developing collective approaches to everyday technology. https://varia.zone | ||
'''Jack Wilson''' is a PhD researcher at the University of Warwick’s Centre for Interdisciplinary Methodologies. He is not a conspiracy theorist. | |||
'''xenodata co-operative''' investigates image politics, algorithmic culture and technological conditions of knowledge production and governance through art and media practices. The collective is run by curator Yasemin Keskintepe and artist-researcher Alexandra (Sasha) Anikina. | |||
'''Sandy Di Yu''' is a PhD researcher at the University of Sussex and co-managing editor of DiSCo Journal (www.discojournal.com), using digital artist critique to examine shifting experiences of time. | |||
'''Freja Kir''' is researching across intersections of artistic methods, spatial publishing and digital media environments. Creatively directing fanfare – collective for visual communication. Contributing to stanza – studio for critical publishing. PhD researcher, University of West London. | |||
Latest revision as of 19:47, 23 January 2023
Christian Ulrik Andersen, Digital Aesthetics Research Center, Aarhus University, is attempting to bring the knowledge and practices of digital culture and art to the fore.
Geoff Cox is Professor of Art and Computational Culture at London South Bank University, and co-director of Centre for the Study of the Networked Image (CSNI), working across software studies and contemporary aesthetics.
Camille Crichlow is a PhD Researcher at the Sarah Parker Remond Centre for the Study of Racism and Racialisation (University College London). Her research interrogates how the historical and socio-cultural narrative of race manifests in contemporary algorithmic technologies.
Mateus Domingos is an artist and MRes researcher at CSNI, London South Bank University.
From a network of Feminist Servers the following authors contributed: mara karagianni - artist, software developer, sysadmin, ooooo - Transuniversal constellation, nate wessalowski - PhD student at Münster University, vo ezn - sound && infrastructure artist.
Teodora Sinziana Fartan is an artist and PhD researcher at CSNI, London South Bank University.
Susanne Förster is a PhD candidate and research associate at the University of Siegen. Her work deals with imaginaries and infrastructures of conversational artificial agents.
Inte Gloerich (Utrecht University & Institute of Network Cultures) researches sociotechnical imaginaries around blockchain technology as they appear in for instance memes, startup culture, and art.
Daniel Chávez Heras is Lecturer in Digital Culture and Creative Computing at King's College London. He studies the computational production and analysis of visual culture.
Macon Holt is a a Post-Doctoral researcher at Copenhagen Business School. He is author of 'Pop Muisc and Hip Ennui. A Sonic Fiction of Capitalist Realism' (Bloomsbury, 2020).
Jung-Ah Kim is a PhD researcher in Screen Cultures and Curatorial Studies at Queen’s University. She studies the relationship between weaving and computing and traditional Korean textiles.
Edoardo Lomi is a PhD Fellow at Copenhagen Business School. His project focuses on the palliative care of digital infrastructures.
Inga Luchs is a PhD candidate at the University of Groningen. In her research, she deals with questions of data classification and discrimination from a cultural and technical perspective.
Gabriel Menotti is Associate Professor in Film & Media at Queen's University and an independent curator, and co-cordinates the Besides the Screen network.
Alasdair Milne is a PhD researcher with Serpentine Galleries’ Creative AI Lab and King’s College London. His work focuses on the collaborative systems that emerge around new technologies.
Anna Mladentseva is a PhD researcher at University College London whose project focuses on the conservation of software-based works of art and design from the Victoria & Albert museum.
Shusha Niederberger is a PhD researcher based at Zurich University of the Arts and working on user subject positions in datafied environments and aesthetic strategies of using otherwise.
Søren Bro Pold Digital Aesthetics Research Center, Aarhus University, works with the arts of the interface and interface criticism.
Roel Roscam Abbing is a PhD researcher in Interaction Design at Malmö University's School of Arts and Communication. There he studies alternative and federated social media systems.
Winnie Soon is a Hong Kong-born artist coder and researcher, engaging with themes such as Free and Open Source Culture, Coding Otherwise, artistic/technical manuals and digital censorship.
Magdalena Tyżlik-Carver ferments data and investigates Critical Data and related practices through curating. She is Associate Professor in Digital Design and Information Studies at Aarhus University.
Varia is a space for developing collective approaches to everyday technology. https://varia.zone
Jack Wilson is a PhD researcher at the University of Warwick’s Centre for Interdisciplinary Methodologies. He is not a conspiracy theorist.
xenodata co-operative investigates image politics, algorithmic culture and technological conditions of knowledge production and governance through art and media practices. The collective is run by curator Yasemin Keskintepe and artist-researcher Alexandra (Sasha) Anikina.
Sandy Di Yu is a PhD researcher at the University of Sussex and co-managing editor of DiSCo Journal (www.discojournal.com), using digital artist critique to examine shifting experiences of time.
Freja Kir is researching across intersections of artistic methods, spatial publishing and digital media environments. Creatively directing fanfare – collective for visual communication. Contributing to stanza – studio for critical publishing. PhD researcher, University of West London.